slash-slash.art

I CAN'T BELIEVE I GET TO SHARE THE REST OF MY LIFE WITH SOMEONE LIKE ME ❤️ ft. George Mayer + Freebilly

At an age where social media has precipitated a devastating “compare and despair” pandemic that is undermining the self-love of far too many humans, ICB IGTS TROML WSLM ❤️ (ft. George Mayer + Freebilly) is a celebration of self-love. 

The hummingbird spirit animal symbolises the joy for life, showing us how to joyfully suck the nectar of life. The contemplative female nude - symbolising every human in its foremost primordial state - needs nothing outside of her to experience this joy.

/ / is a non-binary artist and art photographer based in London. / / believes inside each of us resides everything: the feminine, the masculine, the mountains, the trees, the rivers...the whole universe. / /'s work explores these ideas through the human form and its interaction with the natural world.

Inspired by the photomontage technique first made popular by Dadaist artists and later adopted by Surrealist and Pop artists / / samples and recontextualises original and existing visual content which is blended and turned into a short film. From this film, individual frames are extracted and converted into lenticular prints.

At an age where social media has precipitated a devastating “compare and despair” pandemic that is undermining the self-love of far too many humans, ICB IGTS TROML WSLM ❤️ (ft. George Mayer + Freebilly) is a celebration of self-love.

The hummingbird spirit animal symbolises the joy for life, showing us how to joyfully suck the nectar of life. The contemplative female nude - symbolising every human in its foremost primordial state - needs nothing outside of her to experience this joy.

/ / is a non-binary artist and art photographer based in London. / / believes inside each of us resides everything: the feminine, the masculine, the mountains, the trees, the rivers...the whole universe. / /'s work explores these ideas through the human form and its interaction with the natural world.

Inspired by the photomontage technique first made popular by Dadaist artists and later adopted by Surrealist and Pop artists / / samples and recontextualises original and existing visual content which is blended and turned into a short film. From this film, individual frames are extracted and converted into lenticular prints.